“Acquainted” is different from the previous tracks, with Tesfaye finally giving his listeners a hopeful and not-so misogynistic look into his mind with a melancholic piano backdrop. I can’t feel my face when I’m with you But I love it, but I love it, oh She told me, “Don’t worry about it.” She told me, “Don’t worry no more.” We both knew we can’t go without it She told me you’ll never be alone-oh-oh, whoa 1 hit and although he sings of cocaine and sex, the song is undeniably fun and dance-able, masked in PG-13 lyrics that anyone in the family can listen to.Īnd I know she’ll be the death of me, at least we’ll both be numb And she’ll always get the best of me, the worst is yet to come But at least we’ll both be beautiful and stay forever young This I know, (yeah) this I know With its upbeat bass-line, “ Can’t Feel My Face” is his first No. It certainly is a far cry from singles in his previous album, Kiss Land, but this only helps Tesfaye’s audience grow. “Can’t Feel My Face” and “In The Night” give an MJ-esque, pop-funk vibe that are a fun listen for any new The Weeknd fans. “Often” is sexy with its NSFW lyrics and promiscuous production, and The Weeknd’s sinuous voice adds a nice contrast to the instrumentals, making it a no-brainer why these tracks are hits among his work.Īsk me if I do this every day, I said “Often” Ask how many times she rode the wave, “Not so often” Bitches down to do it either way, often Baby I can make that pussy rain, often Often, often, girl I do this often Make that pussy poppin’, do it how I want it Often, often, girl I do this often Make that pussy poppin’, do it how I want it Often These three songs have the heavy, ominous production that is associated with The Weeknd, with “Earned It” being the most sensual of the three and “The Hills” offering horror-stricken screams in the background. “Often”, “Earned It”, and “The Hills” are not new to his fans, but they are great additions to the album regardless.
Tesfaye’s repeating theme of “love is pointless” is almost cringe-worthy, making us wonder if there is any depth to his bad-boy image – which after four years, becomes a tired and old act. Singing ’bout popping pills, fucking bitches, living life so trill,” and while he certainly has the right to brag about that lifestyle, it puts a barrier between his fans and his work. The audience can hear the smirk behind Tesfaye’s words as he croons, “I’m that nigga with the hair. The following track “Tell Your Friends” is the typical we made it commemoratory nod at the artist’s own success. The husky vocals coupled by the clapping and trumpet in “Losers” make it a truly enjoyable listen. This slowly transitions into “Losers” featuring Labrinth, which opens up the audience to an almost retro, jazz-like element that is new to Tesfaye’s style. The album opens up strong, with “Real Life” delivering an epic, synthetic intro with accompanying drums and violin to add the signature brooding feel of The Weeknd. Tesfaye’s angelic voice dominates the record as he ping-pongs back and forth between celebratory and self-deprecating lyrics, but the usual sexually charged theme that fans are familiar with is taken down a slight notch, which is a clever play done by Tesfaye. He makes a point to remind his audience of this in his sophomore studio album, Beauty Behind the Madness (released via XO/ Republic Records), a 14-track compilation filled with varying musical elements that are sure to excite both old and new fans of The Weeknd. Catch The Weeknd on The Madness Fall 2015 TourĪbel Tesfaye (aka The Weeknd) has come a long way since his humble beginnings in 2011.
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